M. C. Escher: Master of Tessellation

M.C. ESCHER: Art and Science. H.S.M. Coxeter, M. Emmer, R. Penrose and M.L Teuber, eds. Elsevier, New York, 1986. 402 pp. $50. Who has failed to notice that exposition in the mathematical sciences is more pictorial lately? Today, it is not uncommon to find technical mathematics illustrated with drawings. And not just with elaborate symbols which, before the morning coffee, resemble an intimidating jumble. There have even appeared in august mathematical journals whole articles consisting entirel

Written byIvan Rival
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Let there be no mistake about it. Many of the pictures that now routinely appear in print are no more than pictorial aids to reasoning, graphical sketches intended to suggest or persuade rather than convince.

This is a far cry from the prevailing orthodoxy of only a few decades ago. It has always been a widespread practice, enjoyed by most working mathematicians in the privacy of the study, to use pictorial images of one kind or another to aid in understanding and to prompt discovery. The very same pictures rarely appeared in the final polished manuscript. The canons of scientific writing required formal exposition, often obscuring what was, upon a time, simple and clear. Indeed, although pictorial reasoning in mathematics may have prevailed up to the middle of the 19th century, it fell from favor by the beginning of the 20th century, when lessons then learned showed that pictures might ...

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