“Shark Week” Veers Into Fiction . . . Again

Researchers claim they were duped into participating in mockumentaries that aired during the Discovery Channel’s weeklong celebration of all things shark.

Written byBob Grant
| 2 min read

Register for free to listen to this article
Listen with Speechify
0:00
2:00
Share

A 4.5 meter great white shark (Carcharodon carcharias) scavenges a whale carcass in False Bay, South Africa.PLOS ONE: doi:10.1371/journal.pone.0060797Has the Discovery Channel officially jumped the shark? Many critics are asking if the programmer is eschewing the role of educational science programmer for the allure of reality TV after the start of the annual “Shark Week.” And bona fide shark researchers are claiming that Discovery producers flat out lied to them about how their interviews would be used for programs that appeared during the weeklong shark programming bonanza.

On Sunday night (August 10), Discovery kicked off this year’s “Shark Week” by showing a fictitious shark story, “Shark of Darkness: Wrath of Submarine,” that was dressed up to look like a serious documentary. Although it contained brief on-screen warning about events depicted in the show being “dramatized,” the program failed to mention that the story, about a mythical 35-foot-long great white shark (Carcharodon carcharias) that attacked humans off the coast of South Africa, was completely fabricated. Zoologist Michelle Wcisel, based in South Africa, told the Epoch Times that “Shark of Darkness” is a “fake-umentary.”

“Everyone who has worked on white sharks has seen their version of the ‘Submarine,’ but it does not actually exist. Think Loch Ness,” she said. “I am a zoologist specialized ...

Interested in reading more?

Become a Member of

The Scientist Logo
Receive full access to more than 35 years of archives, as well as TS Digest, digital editions of The Scientist, feature stories, and much more!
Already a member? Login Here

Related Topics

Meet the Author

  • From 2017 to 2022, Bob Grant was Editor in Chief of The Scientist, where he started in 2007 as a Staff Writer. Before joining the team, he worked as a reporter at Audubon and earned a master’s degree in science journalism from New York University. In his previous life, he pursued a career in science, getting a bachelor’s degree in wildlife biology from Montana State University and a master’s degree in marine biology from the College of Charleston in South Carolina. Bob edited Reading Frames and other sections of the magazine.

    View Full Profile
Share
December digest cover image of a wooden sculpture comprised of multiple wooden neurons that form a seahorse.
December 2025, Issue 1

Wooden Neurons: An Artistic Vision of the Brain

A neurobiologist, who loves the morphology of cells, turns these shapes into works of art made from wood.

View this Issue
Stacks of cell culture dishes, plates, and flasks with pink cell culture medium on a white background.

Driving Innovation with Cell Culture Essentials

Merck
Stacks of cell culture dishes, plates, and flasks with pink cell culture medium on a white background.

Driving Innovation with Cell Culture Essentials

MilliporeSigma purple logo
Human iPSC-derived Models for Brain Disease Research

Human iPSC-derived Models for Neurodegenerative Disease Research

Fujifilm
Abstract wireframe sphere with colorful dots and connecting lines representing the complex cellular and molecular interactions within the tumor microenvironment.

Exploring the Inflammatory Tumor Microenvironment 

Cellecta logo

Products

brandtech logo

BRANDTECH® Scientific Announces Strategic Partnership with Copia Scientific to Strengthen Sales and Service of the BRAND® Liquid Handling Station (LHS) 

Top Innovations 2026 Contest Image

Enter Our 2026 Top Innovations Contest

Biotium Logo

Biotium Expands Tyramide Signal Amplification Portfolio with Brighter and More Stable Dyes for Enhanced Spatial Imaging

Labvantage Logo

LabVantage Solutions Awarded $22.3 Million U.S Customs and Border Protection Contract to Deliver Next-Generation Forensic LIMS